So it will be necessary to record each guitar part at least twice in order to double all the parts in the mix. Nine times out of ten, one single guitar track doesn’t lead to good sounding results, except maybe for a lead guitar solo. The best quality you can get is a performance that is played in real-time with no time-stretching at all. Therefore, using less time-stretch leads to better results. The time-stretch function either adds samples to your recording (according to a specific algorithm you usually need to select first), or it removes samples from your recording so artifacts will usually be audible if you use this function too much. Although this procedure does create solid results, there are some limitations. Then use the time-stretch function of your DAW (digital audio workstation) to make the tempo of your recording match the tempo of your project. In fact, you can even use half-time or any slower tempo that you feel comfortable with.
Remember, since the final guitar sound is created after using a plug-in you don’t have to record your guitar part in real-time. If you are using guitar modeling software, such as Guitar Rig or Amplitube, you will want to record the signal dry and clean as a start.
#ALTIVERB TRIAL PROFESSIONAL#
If you cannot afford to pay for a professional session player, and you are a moderate guitar player yourself, then try this: A poorly played performance can be corrected in the audio editing process but this is going to take a huge amount of precious time so if you have to meet a certain deadline you cannot afford to spend a lot of your time correcting wrong notes, timing problems, and so on. The most important thing is to have a guitar player who can deliver a solid performance. We are going to show you how we record guitars for rock and metal music tracks and how we place them in the mix. Music genres like rock or metal consist mostly of drums, bass and guitars. Hopefully they don't let that detail negatively affect such an incredible work.Music genres like rock or metal consist mostly of drums, bass and guitars.
I also read Cubase wants to discard Vst2 in a while. Which is very annoying because I want to use it in StudioRack on a parallel processing bus so I can process it separately without having to duplicate the track or use a fx or group track. (EDIT: Support confirmed that vst3 is coming + top priority, but no date) Can make it sound a bit fuzzy/noisy and almost synthetic though sometimes.ĪND. It does exactly what it says, but in an interesting, deep and natural way, rather than just boosting the high end. The brightness knob at the bottom is another cool one to play around with. If the tail is 30 ms it can happen after 30 ms, so keep an eye on that and maybe don't crank it up *that* much. The longer the tail the easier to miss this. However at such a high (maximum) value it can cut of a bit abrubtly as it reaches it's end. That way more of the detail of the long tail is audible rather than fading to silence. I put reverb time/length to 150% which seems to compress/boost the volume of the tail. A huge post production convolution engine with a ridiculous amount of great sounding spaces and oddities.)
0 kommentar(er)
